Hermione, Freedom’s Frigate, Redefining Past and Future In 1778, the Corderie Royale in Rochefort, France, undertook the 11-month construction of a 26 cannon light frigate measuring 210 feet from stern to bow. Part of a group of four (along with the Concorde, the Courageuse and the Fée), the Hermione was built according to plans by Chevillard Aîné and commanded by major general La Fayette who boarded the ship on March 21, 1780 to meet General Washington in Boston and give help to American insurgents. In 1997, the Hermione-La Fayette Association undertook the daunting project of a 17-year construction of a replica of the 18th century Concorde class frigate, Hermione, at the restored arsenal the Corderie Royale in Rochefort, France. American born and raised, married to a Frenchman passionate about frigates and naval engineering, the Hermione reconstruction project and ambitious plan to retrace the steps of General La Fayette by sailing to America was of great interest to us. My husband and I planned a trip to Rochefort in 2009 to visit the construction site. We were amazed by this courageous endeavor to rebuild a warship that existed more than 200 years previously in it’s identical form and structure. While my … Read More
Sands of Time | Exhibition at Nordkraft Concept-Store in Paris The exhibition Sands of Time at Nordkraft Concept-Store runs from 4 – 29 November, on the occasion of the Rencontres Photographiques du 10ème. The selection of analog 8×10″ contact prints, as well as larger format 50×60 cm archival quality digital prints, can be purchased by contacting Elise Prudhomme directly. Nordkraft – 20 rue Lucien Sampaix – 75010 Paris
Sands of Time In recent photographic studies, I have been exploring the theme of the sentiment of nature. Raised in a family of architects and passionate gardeners, I am interested in an art of nature capable of encompassing both garden and landscape. This new series of large format pinhole photographs, Sands of Time, excerpt from an ongoing project on the development of the cultural landscape and the emergence of a new picturesque in the Cotentin, includes work done on historic Tatihou Island*, where layers of symbolic material trace the constant evolution of man in his environment. * Tatihou Island, owned by the Conservatoire du Littoral, is managed by the Conseil Général de la Manche. Sables du temps Récemment, j’explore le thème du sentiment de la nature au travers d’études photographiques. D’une famille d’architectes et de jardiniers passionnés, j’étudie l’idée d’un art de la nature en mesure de rassembler à la fois le jardin et le paysage. Extrait d’un projet en cours sur l’évolution du paysage culturel et l’émergence d’un nouveau pittoresque dans le Cotentin, j’expose aujourd’hui une série de sténopés, intitulée Sands of Time, qui inclue le travail réalisé lors d’un séjour sur l’Ile de Tatihou*, où les couches de … Read More
Entre Côtes | Photography Exhibition at Studio Galerie B&B From December 9, a sea wind will blow on Studio Gallery B&B at the occasion of the exhibition of two photographers, Entre Côtes. Elise Prudhomme presents a new series of large format pinhole photographs entitled Sands of Time, extract of an ongoing project on the evolution of the cultural landscape and the emergence of a new picturesque in the Cotentin. From the Atlantic coast to the inland, Philippe Bachelier walked his cameras through the Basque country on both sides of the Pyrénées. His black and white landscapes, printed silver-gelatin paper, recount the changing lights of the ocean and the perennial energy of nature. A partir du 9 décembre, un vent iodé soufflera sur le Studio Galerie B&B à l’occasion de l’exposition de ses deux photographes Entre Côtes. Elise Prudhomme expose une série de sténopés grand format intitulé Sands of Time, extraite d’un projet en cours sur l’évolution du paysage culturel et l’émergence d’un nouveau pittoresque dans le Cotentin. De la côte atlantique à l’intérieur des terres, Philippe Bachelier a promené ses appareils photo dans le Pays Basque, des deux côtés des Pyrénées. Leurs paysages en noir et blanc, tirés sur papier … Read More
One thing leads to another… My appearance on January 1, 2014, in waders with an 8×10″ pinhole camera and tripod slung behind my back, on the Grand Grève of Granville sollicited curosity by a gentleman stroller-by. An enthusiastic member of the Granville Photo Club, he asked if I might be interested in demonstrating use of this particular pinhole camera (the Harman Titan 8×10). Pinhole workshop at the Granville Photo Club, France In April 2014, I made a presentation of large format pinhole photography to the interested members of the club, followed by a portrait session using color slide film (result above). Working with an 8×10″ camera has always tempted me, however the weight and unweildiness has not. I have found an adequate compromise in the large format pinhole camera which is lighter weight and easy to carry on my back if I am trekking. The negatives can be made into contact prints or scanned and enlarged. I am currently testing cyanotypes with these pinhole negatives and love the result.